Beatles - Live in Australia 1964 [Full Concert HD Remaster]

 

Watch The Beatles - Shea Stadium 60th Anniversary Edition 1080p HD

The Beatles Shea Stadium 1965: Inside Their Biggest Concert Ever

 

Underground Shea Stadium Concert release

Upcoming new release of the 1965 Shea Stadium material sounds promising. LP version depicted.

The word is out that the underground (= bootleg) label HMC (His Master's Choice) is due to release a number of interesting new Beatles products in the near future and that it will all start with a Shea Stadium film in the same quality as the few clips Apple let us see in their Anthology DVDs. We are talking about two different products here:

• A "HMC Gazette" with a DVD + CD
• A 12" Vinyl LP + CD package with a colour poster

Rumoured is that the DVD contains the unreleased 2005 stereo remaster of the film commissioned by Apple. The audio contents are not known at the time of writing. HMC (formerly known as Yellow Dog) is primarily known for audio only bootlegs, but they recently released their first DVD (the Delaney & Bonnie concert from Copenhagen), so this new Shea will be their second DVD release. Further DVD releases of rare Beatles stuff is expected from the company in the next few months.

Due to the fact that "The Beatles At Shea Stadium" never has been released in an official capacity except for a few clips from the film used in documentaries, the film keeps being exploited by various bootleggers as well as being traded among fans. The undoctored soundtrack was leaked to the Beatlesfan community a few years ago and has been frequently used as a secondary soundtrack to bootleg DVDs of the film.

The Beatles Live At Shea Stadium 1965 (2023 Remix)

The Beatles at Shea Stadium – what you may never get to see or hear

With the 50th anniversary of the Beatles' phenomenal concert at Shea Stadium on Aug. 15, there's naturally a lot of focus on what happened at the show. But after a Beatles Examiner interview this week with Dave Morrell, author of “Horse Doggin' Volume 1” and the forthcoming “1974 - The Promotion Man - New York City - Morrell Archives Volume 2” that'll be out in October, and Ron Furmanek, who restored and remixed “The Beatles at Shea Stadium” TV special and many other Beatles projects, maybe it's also timely to discuss what you may not see or hear.
One thing, assuming the Beatles ever allow it, is the full and remastered Shea Stadium TV special. Though it was supervised by Ed Sullivan's company, it wasn't originally shown on CBS, Sullivan's network, but instead on ABC. Morrell says that was a byproduct of John Lennon's remarks about Jesus.

A scrapbook page with an ad for the Beatles at Shea with writing by Dave Morrell's mother with ticket prices, and a picture from inside Shea Stadium by Dave showing the helicopter carrying the Beatles.


“Sullivan put the money out, and believe it or not, it wasn't shown on CBS, the home of Ed Sullivan. It was shown on ABC in January of 1967. The reason is because of John's comments about Jesus and people falling off the '66 tour, and Sullivan wasn't comfortable.” “It was a hard sell after the uproar in '66,” Furmanek said.
Morrell says the remastered Shea Stadium looks absolutely fantastic. Unlike many films of live shows at the time that were shot on 16mm film, Shea was shot on 35mm and it shows.
“'Monterey Pop,' one of the great movies, was actually shot in 16mm and blown up to 35 mm. 'Woodstock,' which looks so great and magnificent, was shot in 16mm and blown up to 35mm. The same with the Bangla Desh film, shot in 16mm and blown up to both 35mm and 70mm! But what the world doesn't know is that when Sullivan Productions filmed The Beatles at Shea Stadium, they filmed them in luxurious, perfect, high quality 35mm,” Morrell said. “And it's probably the first rock movie to be treated with 35mm. So the quality that the world hasn't seen yet, and we have to offer, and Ron restored for Apple is magnificent.”
“A few years ago, my work got bootlegged,” Furmanek said. “There's a DVD of the whole thing, my restoration with my end credits and everything. My Shea restoration from '91 that came out. I don't see Apple putting it out. Not the whole film.”
And even though George Martin had recorded the Beatles previously at the Hollywood Bowl, he was not in charge of the audio recording at Shea Stadium, Morrell said. “They used a guy named Bob Fine who is one of the most respectable, well-known producers.” Furmanek said he worked with Mercury Records on many of their Living Presence releases.
“Sullivan used Clayco (M. Clay Adams'' company) to film it,” Furmanek said. “When I started the restoration project, all that were in the vaults were the final TV special 35mm film mono optical audio tracks, which wouldn't do! I went to meet Mr. Adams in 1987 and that's where I found all of the original tapes. He still had them all safely stored in his basement. Anytime Sullivan Productions did outside filming, they would have M. Clay film it and Bob Fine would do the audio.”

You can find more information about this here:
https://bootleg-addiction-forever.blogspot.com/2017/09/beatles-tmoq-gazette-vol18-shea.html


Morrell was also bubbling about two tracks from the show, “Everybody's Trying To Be My Baby” and “She's a Woman,” which weren't included in the original film. Furmanek mixed the two tracks in stereo for the Shea remaster project and a sample of the track sounds fantastic.


“They were ready to go for the 'Anthology' album and they put one of them on there and they squished it down to mono,” Furmanek said. “They didn't give me a mixing credit and they did not give Bob Fine a credit for actual producer.” The track he's referring to was “Everybody's Trying to Be My Baby” and the stereo version has much more depth and clarity than the mono version on “Anthology 2.”
Morrell talked about their younger days when John Lennon used to come into the record store where Furmanek worked. “Ron was a teenager and he was working in Greenwich Village, New York, in an oldies store. So Ron knew more than any kid these oldies, these doo-wops, these early rock 'n' roll records.” “Well, I grew up on that stuff,” Furmanek said, “before the Beatles even hit the United States, I already had a box of 50 hit records in my collection.”
“And then John Lennon walks into the store,” Morrell said, “and he's looking for records. And Ron's behind the counter giving John the best picture sleeve that wasn't bent, the best record out of all 10 he might have had. Ron would pick John the best ones, a '50s original pressing instead of a 1971 reissue!”
Morrell also talked about a night they shared in Lennon's apartment. “Ron and I are in John's apartment,” Morrell said, “and you gotta realize that a week earlier that John was on WNEW with a stack of oldies on the Dennis Elsas show walking everybody through these oldies he grew up on. He's finishing the 'Rock 'n' Roll' album. We're in his apartment. And he's asking Ron what else he's got and Ron whips out Elvis' debut in 1956 on the Dorsey show.

“And John's doing somersaults over the energy of Derek Taylor being there, his friend, Dave who had had met before now a promotion man who's accepted and Ron, who he'd sold the records to, and without Yoko being in the room, this intense conversation about old records in the early Beatles days and where it all came from was the center of this universe we got to share with John.”


Furmanek commented on the unearthing of new Lennon video this week. “It's pretty amazing this stuff can be found all these years later,” he said.
Why didn't Capitol ever release a CD for the Beatles at the Hollywood Bowl? “The only thing I could say is because it's controlled by Apple and the Beatles 100% now,” Furmanek said. “When that came out, all of the legal doings between Beatles and EMI weren't quite worked out yet. That's the same reason they were able to put out titles like "Rock & Roll Music," 'Rarities,' 'Reel Music,' 'Love Songs,' 'Beatles Ballads,' etc, etc.”
Will we ever see “Shea” shown on television again? “That would be great. One never knows,” Furmanek said.
Some excerpts of Furmanek's true stereo mixes of the Shea Stadium show will be featured Sunday on Chris Carter's “Breakfast With the Beatles” on KLOS-FM in Los Angeles. The show, which will also have Morrell, John Pizzarelli (who has a new album of McCartney covers) and Vince Calandra who worked on the Sullivan show (and famously stood in for George Harrison when he was ill during the Sullivan rehearsals) and also worked on the Shea show as guests, runs from 9 a.m. until noon PT. The show will be streamed through the radio station's website.

“I didn’t know what a multi-track tape was when I was eight years old,” Furmanek said. “I’m honored to be working with this great stuff. Sometimes it’s hard to believe that
you’re actually holding a tape in your hand and you can say 'I bought this record when it came out.'”

Maybe the best thought on all of this comes from George Harrison by way of Furmanek. “One night I was at a recording session with George, Joe Brown, and Jools Holland for the song 'Between the Devil & The Deep Blue Sea.' This was while I was smack in the middle of working on Shea at Abbey Road. I told George it was a really rough project to do, and he told me, "It was rougher being there and doing it live."


You can find more information about this here:
https://bootleg-addiction-forever.blogspot.com/2017/09/beatles-tmoq-gazette-vol18-shea.html




Source: http://www.examiner.com/article/exclusive-the-beatles-at-shea-stadium-what-you-may-never-get-to-see-or-hear?cid=rss

The Beatles - Roxburgh Hall, Stowe School Concert, Buckinghamshire, Britain, 04-04-1963

Here's something that's pretty amazing, if you're a Beatles fan. I'm writing this in December 2023. Back in September, there were some articles in the mainstream media about a recently discovered bootleg recording of a 1963 Beatles concert at the Stowe School in Buckinghamshire, Britain. Here's one such article. I suggest you read it to be familiar with what I'm talking about:

The Beatles Stowe School Concert Is Unlike Any Other Show in History (thedailybeast.com)

I'll explain more about the story behind this concert and how it got recorded in a bit. But first, I want to say that I tracked down that recording after reading about it, and I have to admit I was pretty disappointed, due to poor sound quality. Amongst many other problems, the vocals were so low that they often couldn't be heard at all. I tried my best to fix things with my limited ability using the artificial intelligence based audio editing programs that have come out in recent years, but the recording was too poor to be salvageable. I didn't even bother keeping a copy of the concert in my music collection, because it wasn't worth hearing for me.

Or so I thought. Enter Lord Reith. He's someone who has been editing and improving Beatles recordings for years. I don't know if he's a magician or what, but what he did with this Stowe School bootleg is nothing short of miraculous! There are still some problems, which I will get to in a bit, but he's completely transformed the sound quality, making it almost sound as good as some soundboard recordings. In particular, he did wonders to make the vocals audible. So, in my opinion, this has gone from not worth listening to more than once (if that) to being one of the most interesting and listenable live Beatles recordings, period. If you're a fan, and you can tolerate some sound quality issues, definitely give this a listen.

Now, let me explain a bit more about what this concert is and why it's so unique. Again, I highly recommend you read the above newspaper article, but in case you don't, here's a short summary. At the time of this concert, the Beatles were right on the cusp of being big stars in Britain, but they weren't quite there yet. They'd released their first single, "Love Me Do," in late 1962. It made the Top Twenty in Britain, which was a good start. Then, in January 1963, they released the single "Please Please Me." It reached Number One in most British charts. In late March 1963, they released their first album, also called "Please Please Me." That would go on to be a huge hit, staying in the Top Ten of the charts for over a year, which would set a record for the next fifty years. Then, only one week after this concert, the single "From Me to You" would be released, and that would be another Number One hit in Britain. 

So, mere weeks after this concert, Beatlemania hit Britain in a big way, just as it would hit the U.S. in early 1964. From that point on, pretty much all Beatles concerts would be short, a half an hour or less, and so filled with screams from overexcited girls that one couldn't really hear the music. If you're heard live Beatles recordings, then you know it's usually a pretty rough listening experience, due to all that screaming and cheering.

Previously, the Beatles had spent a couple of years in Hamburg, Germany, honing their music skills by playing in small clubs. There are some rough live recordings from that, and they're very interesting, but they consisted almost entirely of cover songs. 

This recording is unique, however, in part because the Stowe School is very unusual. In 1963, it was only for boys aged 13 to 18. As you can see from this photo, it was only for the children of the elite. It looks less like a high school and more like a palace! The Beatles were booked to perform there months before the concert date, when their fame was a lot less. But they upheld their agreement and played there in April 1963 anyway. Not only that, but they played for over an hour, instead of the mere half hour or less they were already doing for screaming fans in other shows. 

But what's really great is, because the audience considered entirely of boys, and well-behaved upper class boys, no less, there was no screaming. According to articles I read, most of the boys in the audience hadn't even heard of the Beatles yet, so they weren't swept up in any hysteria. The Beatles played virtually all the songs from the "Please Please Me" album, plus "From Me to You" and its B-side "Thank You Girl," despite the fact those last two songs still hadn't been released. Yet they also played a bunch of cover songs that they'd done in Hamburg. This is probably the last time most of those covers were played by them in concert, as they switched to doing very short concerts consisting entirely of their best known songs. So this is the one and only concert recording with a mix of the "old" Beatles of Hamburg cover versions and the "new" Beatles with their remarkable original songs. How lucky we are that one of the boys in the audience snuck in a tape recorder and recorded it.

So that's the good news. The bad news is, even after Lord Reith's miraculous transformation of the recording, there still are sound quality issues. The biggest problem is the banter between songs. There was a lot banter, between almost all the songs. Unfortunately, the recording of those bits were very quiet, way more quiet than the music. So I suspect there just wasn't much there on the recording for Lord Reith to work with. I took his version, with the banter way down low, and boosted the volume of those bits so the banter can be clearly heard. But unfortunately, all that means in that quiet jibber jabber is now louder jibber jabber. I've included a couple of extra text files. One of them is a list of all the changes Lord Reith made to make this listenable. The other is a transcript of what he and other die-hard Beatles fans have managed to figure out from the banter. If you read that as you listen, you can catch most of it. But otherwise, the talking is pretty hard to understand, other than the occasional phrase.

Due to this seemingly unfixable problem, I'm posting two versions of this album. One contains the banter and the songs, and the other one contains just the songs. I much, much prefer the music only version. The banter is interesting to hear once or twice, but beyond that, it drags down the overall recording. So maybe you'll want to download both, and listen to one version and then the other.

There's one other big problem. The tape in the tape recorder only lasted for about sixty minutes. The recorder was up at the stage and the boy who recorded it was sitting in the audience, so when the tape ran out, there was no way for him to flip it over and keep recording. Thus, the end of a second version of "I Saw Her Standing There" was cut off, plus all of the last two songs, "Sweet Little Sixteen" and "Long Tall Sally." Most of the second version of  "I Saw Her Standing There" survived, and luckily it happened to be the only song played twice. So I patched in the ending from the first version earlier in the show. But the last two songs are lost.

And there's one more lost song. Right before that second version of "I Saw Her Standing There," the Beatles played "Money (That's What I Want)." Unfortunately, there's only about twenty seconds of this on the recording, and then it gets replaced by the hit version of "Surfin' Bird" by the Trashmen! Probably what happened was that the boy who recorded it accidentally recorded that song off the radio over the Beatles concert. I removed the snippet of "Money" and the little bit of banter before it, because it's frustrating to get only such a short part of that. 

Furthermore, note that even after all of Lord Reith's edits, there were still some problems with the vocals. I used UVR5 to boost all the vocals a bit. I think that helped to make the singing easier to hear. But some songs are better than others. For "Matchbox" in particular, only bits and pieces of the lead vocals can be heard. I figure that's because that song was sung by Ringo Starr, the drummer, and maybe he was sitting back and too busy with drumming to keep his mouth near the microphone all the time. (That reminds me: there are no lead vocals from George Harrison because he was recovering from a cold.)

If you want to know even more about this remarkable concert, I recommend this link:

The Beatles concert at Roxburgh Hall, Stowe School in Buckingham on Apr 4, 1963 (the-paulmccartney-project.com)

It includes lots of great photos and stories. You can learn the whole story of how this bootleg came to be recorded and then rediscovered decades later. It's really interesting stuff, if you're a Beatles fan. That also includes a transcript of the banter between songs.

Here's the track list to the version that includes the banter. This version is 58 minutes long.

01 talk (Beatles)

02 I Saw Her Standing There (Beatles)

03 Too Much Monkey Business (Beatles)

04 talk (Beatles)

05 Love Me Do (Beatles)

06 talk (Beatles)

07 Some Other Guy (Beatles)

08 talk (Beatles)

09 Misery (Beatles)

10 talk (Beatles)

11 I Just Don't Understand (Beatles)

12 talk (Beatles)

13 A Shot of Rhythm and Blues (Beatles)

14 talk (Beatles)

15 Boys (Beatles)

16 talk (Beatles)

17 Matchbox (Beatles)

18 talk (Beatles)

19 From Me to You (Beatles)

20 talk (Beatles)

21 Thank You Girl (Beatles)

22 talk (Beatles)

23 Memphis, Tennessee (Beatles)

24 talk (Beatles)

25 A Taste of Honey (Beatles)

26 talk (Beatles)

27 Twist and Shout (Beatles)

28 talk (Beatles)

29 Anna [Go to Him] (Beatles)

30 talk (Beatles)

31 Please Please Me (Beatles)

32 talk (Beatles)

33 The Hippy Hippy Shake (Beatles)

34 talk (Beatles)

35 I'm Talking about You (Beatles)

36 talk (Beatles)

37 Ask Me Why (Beatles)

38 talk (Beatles)

39 Till There Was You (Beatles)

40 talk (Beatles)

41 I Saw Her Standing There [Edit] (Beatles)

And here's the link to the version with the banter:

NOTE: The download link has been removed due to a copyright issue, sorry. But check the comments below.

Here's the track list for the version with only the music. This version is 50 minutes long, eight minutes shorter than the other version.

01 I Saw Her Standing There (Beatles)

02 Too Much Monkey Business (Beatles)

03 Love Me Do (Beatles)

04 Some Other Guy (Beatles)

05 Misery (Beatles)

06 I Just Don't Understand (Beatles)

07 A Shot of Rhythm and Blues (Beatles)

08 Boys (Beatles)

09 Matchbox (Beatles)

10 From Me to You (Beatles)

11 Thank You Girl (Beatles)

12 Memphis, Tennessee (Beatles)

13 A Taste of Honey (Beatles)

14 Twist and Shout (Beatles)

15 Anna [Go to Him] (Beatles)

16 Please Please Me (Beatles)

17 The Hippy Hippy Shake (Beatles)

18 I'm Talking about You (Beatles)

19 Ask Me Why (Beatles)

20 Till There Was You (Beatles)

21 I Saw Her Standing There [Edit] (Beatles)

Here's the link to the version with no banter, and only songs. 

NOTE: The download link has been removed due to a copyright issue, sorry. But, again, check the comments below.

Again, especially if you're not a die-hard fan, I recommend just getting the music only version.

For the cover photo, I used one of the photos from this exact concert and colorized it, using the Palette program. You can see a larger and uncropped version of the original black and white photo in one of the above article links.

Posted by Paul at 4:12 PM 

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Labels: 1963, Beatles, George Harrison, John Lennon, live, Paul McCartney, Ringo Starr

16 comments:

PaulDecember 6, 2023 at 5:33 PM

By the way, thanks to Mike Solof for alerting me to Lord Reith's edits, which totally changed my opinion about this recording. Lord Reith has done similar eye-opening work on the Beatles' recordings from the Star-Club in Hamburg, Germany. I plan on posting that here soon as well.

Reply

Michael solofDecember 6, 2023 at 8:17 PM

:-) Glad the BEatle of service!

Reply

Replies

PaulDecember 6, 2023 at 8:29 PM

I see what you did there.

Reply

lemonflagDecember 6, 2023 at 8:36 PM

Thanks Paul Thanks Mike.

Lord Reith has also done the BBC recordings.

Reply

GmanDecember 6, 2023 at 8:55 PM

fantastic!

Reply

juan manuel muñozDecember 6, 2023 at 9:09 PM

Excelente, amigo. Muchas gracias.

Reply

Dr RobertDecember 6, 2023 at 9:49 PM

Maybe one to look at is the recording of a concert from Melbourne on their '64 tour of Australia - I think all the audio is available but not all the visual of the show.

Reply

Replies

PaulDecember 7, 2023 at 11:17 PM

That's an interesting idea. I just heard a recording, it's very good, but I'm still annoyed by the level of screaming throughout (though it's a lot less than usual for their live recordings). I wonder if there's a way to get rid of the remnants of that? I'll look into it. So much is possible these days with new technology.

EasilyConfusedDecember 5, 2024 at 2:10 AM

x-minus.pro now has an excellent crowd removal programme.

Reply

EZ6December 6, 2023 at 10:51 PM

Thanks !

Reply

copacetic47December 7, 2023 at 4:24 AM

WOW!!! Thank you very, very much. Your work is much appreciated.

Reply

Replies

PaulDecember 7, 2023 at 11:18 PM

I dig your Wow. Thanks.

Reply

Brett AlanDecember 7, 2023 at 11:07 PM

This is AMAZING! It's still not an audiophile's dream, but it's pleasant to listen to. And historically--a recording of a show from 1963, but a full hour show where they do covers they never recorded except at the BBC--a collector's dream! I read about this show many years ago in Mark Lewisohn's first book. Never dreamed I'd hear it! Thank you so much.

Reply

Replies

PaulDecember 7, 2023 at 11:18 PM

That's great, that you're psyched about it. What to you think about the version with banter vs. the version without?

Reply

PaulSeptember 13, 2024 at 9:30 PM

Here's a link to download the music (music only version):

https://atseghost.blogspot.com/2024/09/blog-post.html

And here's a second download link (the music and banter version):

https://atseghost.blogspot.com/2024/09/blog-post_6.html

Reply

juanApril 19, 2025 at 11:20 PM

wow !!! muchas gracias...

Source: https://albumsthatshouldexist.blogspot.com/2023/12/the-beatles-roxburgh-hall-stowe-school.html

The Beatles - 1996 - "Live: The Last Tour" incl Shea Concert (Purple Chick)

 

Title: The Beatles The Final Tour.

Label: Purple Chick.

Catalog#: PC 177/78.

Recording: "The Last Tour" collects every circulating recording from The Beatles' 1966 US tour.

Tracklisting:

DISC ONE

Municipal Stadium, Cleveland, OH - 14 August, 1966

1: intro (Can You Hear Me?)

2: Day Tripper (Can You Hear Me?)

3: show interruption (Can You Hear Me? + Vinyl To The Core)

4: I Feel Fine (Vinyl To The Core)

Maple Leaf Gardens, Toronto, Canada - 17 August, 1966 (afternoon):

5: intro (unbooted)

6: If I Needed Someone (unbooted)

Maple Leaf Gardens, Toronto, Canada - 17 August, 1966 (evening):

7: intro (Live Beatles At The Maple Leaf Gardens)

8: Rock and Roll Music (LBATMLG)

9: She's A Woman (LBATMLG)

10: If I Needed Someone (LBATMLG)

11: Day Tripper (LBATMLG)

12: Baby's In Black (LBATMLG)

13: I Feel Fine (LBATMLG)

14: Yesterday (LBATMLG)

15: I Wanna Be Your Man (LBATMLG)

16: Nowhere Man (LBATMLG)

17: Paperback Writer (LBATMLG)

18: Long Tall Sally (LBATMLG)

19: outro (LBATMLG)

Suffolk Downs Racetrack, Boston, MA - 18 August, 1966

20: She's A Woman (We'd Like To Cary On)

21: Long Tall Sally (Vinyl To The Core)

Mid-South Coliseum, Memphis, TN - 19 August, 1966 (afternoon)

22: intro

23: Rock and Roll Music (From Beatles In Memphis 1966)

24: She's A Woman (FBIM 1966)

25: If I Needed Someone (FBIM 1966)

26: Day Tripper (FBIM 1966)

27: Baby's In Black (FBIM 1966)

28: I Feel Fine (FBIM 1966)

29: Yesterday (FBIM 1966)

30: I Wanna Be Your Man (FBIM 1966)

31: Nowhere Man (FBIM 1966)

32: Paperback Writer (FBIM 1966)

33: Long Tall Sally (FBIM 1966)

DISC TWO

Mid-South Coliseum, Memphis, TN - 19 August, 1966 (evening)

1: intro (From Beatles In Memphis 1966)

2: Rock and Roll Music (From Beatles In Memphis 1966)

3: She's A Woman (FBIM 1966)

4: If I Needed Someone (FBIM 1966)

5: Day Tripper (FBIM 1966)

6: Baby's In Black (FBIM 1966)

7: I Feel Fine (FBIM 1966)

8: Yesterday (FBIM 1966)

9: I Wanna Be Your Man (FBIM 1966)

10: Nowhere Man (FBIM 1966)

11: Paperback Writer (FBIM 1966)

12: Long Tall Sally (FBIM 1966)

Busch Stadium, Boston, MA - 21 August, 1966

13: Rock and Roll Music/She's A Woman (unbooted)

Shea Stadium, New York, NY - 23 August, 1966

14: intro (Beatles' Blast In Stadium Described By Erupting Fans)

15: She's A Woman (BBISDBEF)

16: If I Needed Someone (BBISDBEF)

17: I Feel Fine (BBISDBEF)

18: Yesterday (BBISDBEF)

19: Paperback Writer (BBISDBEF)

20: outro (BBISDBEF)

Candlestick Park, San Francisco, CA - 29 August, 1966

21: Rock and Roll Music (Live in Paris 1964 and in San Francisco 1966)

22: She's A Woman (Paris/San Francisco)

23: If I Needed Someone (Paris/San Francisco)

24: Day Tripper (Paris/San Francisco)

25: Baby's In Black (Paris/San Francisco)

26: I Feel Fine (Paris/San Francisco)

27: Yesterday (Paris/San Francisco)

28: I Wanna Be Your Man (Paris/San Francisco)

29: Nowhere Man (Paris/San Francisco)

30: Paperback Writer (Paris/San Francisco)

31: Long Tall Sally (Paris/San Francisco).

More information is available here:
https://rockpopbootlegs.blogspot.com/2011/07/beatles-1996-live-last-tour.html

More information is available here as well:
The Complete Live Collection (Purple Chick 22+2 CD) - Google Drive