December 30, 2015

Beatles Perform Live For You For The New Year

The Beatles Live Cut
Live, television: It's The Beatles, 
3.45pm, Saturday December 7,1963






I Saw Her Standing There and I Want To Hold Your Hand
Live on Drop-In TV Show, Stockholm, Sweden. October 30, 1963




Can't Buy Me Love
NME Poll Winners' Concert, April 26, 1964, Empire Pool, Wembley, London




You Can't Do That Melbourne Australia 1964, recorded by local TV station GTV9






Hello Goodbye






Revolution








Don't Let Me Down


Apple Corps Rooftop, 3 Savile Row, London, January 30, 1969


Beatles Catalog Goes on Streaming Services



Happy holidays from the Beatles: As of 12:01 a.m. on Dec. 24, the band’s music will finally be available on streaming services worldwide.

The group announced the news in a 35-second video featuring a medley of its biggest hits that kicks off to the sound of the 1963 single “She Loves You.” An accompanying news release simply said: “Happy Crimble, with love from us to you.”

However, the surviving members of the group, Paul McCartney and Ringo Starr, along with Universal Music Group, which controls the band’s recorded music, made no statements other than the fact that the Beatles’ catalog — 13 original albums and four compilations — will now be playable on nine subscription streaming music services: Spotify, Apple Music, Google Play, Amazon Prime Music, Tidal, Deezer, Microsoft Groove, Napster/Rhapsody and Slacker Radio.




Known as singular holdouts in the digital era, the Beatles, the best-selling group of all time, resisted offering its songs on iTunes for more than seven years before coming to an agreement with Apple in 2010. “It’s fantastic to see the songs we originally released on vinyl receive as much love in the digital world as they did the first time around,” Mr. McCartney said at the time. The band sold 450,000 albums and two million individual songs in its first week on the service, according to Apple.

Now, streaming is the industry sea change too big to ignore. This month, Warner Music Group, one of the so-called big three label groups, said streaming revenue exceeded download revenue for the year. And other classic rock resisters have come around recently: AC/DC started streaming its music this summer, following Led Zeppelin and Pink Floyd in 2013. (The Beatles were already available on Pandora, the Internet radio service, since it does not offer on-demand songs; a court decision recently raised the royalty rate for labels and performers on those services, known as pureplays. The band members’ solo material is also widely available.)

Modern artists, however, have started to resist streaming in certain rarefied cases. Taylor Swift, who helped persuade Apple Music to pay royalties during its free-trial period when she protested publicly, has not made her albums available on streaming services with a free tier, like Spotify, while Adele has so far kept her blockbuster “25” off streaming services altogether. The Beatles’ music will be available on the free and premium versions of services that have both.

Souce: http://www.nytimes.com/2015/12/23/arts/music/beatles-fans-start-your-streaming-playlists.html

December 27, 2015

New Beatles Let It Be Movie on Blu-ray

Complete Collection Featuring Fullscreen And Widescreen Edition With Subtitle Plus Original Movie Edtion And Get Back Sessions, Japanese TV Broadcast. HQ scans below.



SGT released in the definitive edition DVD set as the movie became a document of the Beatles last “Collector’s Edition of the ultimate” to “Let It Be”. Blu-ray edition of the long-awaited finally than Label! Widescreen, including 5.1 surround and full-screen editions of the highest quality COMPLETE FULLSCREEN AND WIDESCREEN WITH 5.1 SURROUND PLUS ORIGINAL MOVIE EDITION, GET BACK SESSIONS, in JAPANESE TV BROADCAST SGT.



BLU-RAY DISC SV-2014BD-1/2 main movie Extra video and a number of main movie of the original standard, version of the TV broadcast in Japan in ’84 with valuable additional time video and Get Back sessions including movie unreleased footage in chronological order also included further editions. Achieve the viewing of the highest quality to exist in the original Japanese with subtitles even on a large screen monitor by up-converted to high-definition image quality HD DVD picture quality when the original Blu-ray of this time. Were summarized in VOLUME quality and record up to related video and Get Back sessions over 40 minutes for a further 3 hours total of four patterns recorded movie “Let It Be” main two Blu-ray a “Collector’s Edition of the ultimate” I will deliver in pairs!
Included on the first full-screen edition with remastered stereo sound and picture quality of the highest quality in the current situation in the main movie [Blu-ray edition details] disk 1. We can say this version was recorded in 9 wide is the definitive movie main at the moment: 16 amount of information increases left and right becomes wider to 3 Standard 4: screen both ends are trimmed. Documentary that follows is a must-see video that has been recorded in high-quality precious scene of the movie other than this title. And 16 widescreen edition: there is a top and bottom trimmed with 9 wide screen display full version but it is displayed on the full screen on a wide standard TV size of the current. The 5.1 surround sound also included in the select. You can enjoy a sound etc. steric footsteps of the movie beginning to move from the back to the front when you play in a surround environment. Subtitle is ON / OFF can be selected course in the original Japanese with subtitles also Izure. The recorded movies in the main 3 Standard: 4 that had been put on the market in the LD and video once the disk 2. There are original Japanese subtitles switching also here. Recorded together followed by a naked-related such as video editing and another version in “Let It Be Extra”. It is a content not miss this. Included on time series, including a valuable document images of unreleased movie is over 40 minutes about 3 hours to “Get Back Sessions”. It would be a must-see as making collections of movie exactly. The complete recording from the video that has been recorded at the time the version “Japanese TV broadcast” that is TV broadcasting in Japan in ’84 it was not recorded in the DVD set last. It is a rare footage inferior to other versions but have now become as the TV version with subtitles in its own image quality. SGT capped very popular as a definitive edition of the movie “Let It Be”. Is a 2-Disc Special Edition Blu-ray becomes “containing all” ultimate exactly Do not miss this time adding video and full-screen DVD and subsequent DVD4 Disc label.



BLU-RAY DISC ONE
“LET IT BE” COMPLETE FULLSCREEN EDITION
01. Introduction 02. Piano Improvisation 03. Don’t Let Me Down 04. Let’s Sing The Corny One 05. Maxwell’s Silver Hammer 06. Shocktric Shocks 07. Two Of Us 08. I’ve Got A Feeling 09. Coming Down To The Faster 10. I’ve Got A Feeling 11. Oh! Darling 12. One After 909 13. Boogie Woogie Piano 14. Two Of Us 15. Across The Universe 16. Dig A Pony 17. Suzy Parker 18. I Me Mine 19. For You Blue 20. I Dig A Pygmy 21. Besame Mucho 22. Octpus’s Garden 23. Jamming With Heather 24. You Really Got A Hold On Me 25. The Long And Winding Road 26. Rip It Up / Shake Rattle And Roll 27. Kansas City / Miss Ann / Lawdy Miss Clawdy 28. Dig It 29. Talk About The Movie 30. Two Of Us 31. Let It Be 32. The Long And Winding Road 33. Rooftop Concert 34. Get Back 35. Don’t Let Me Down 36. I’ve Got A Feeling 37. One After 909 38. Dig A Pony 39. Get Back 40. The End NTSC Color 16:9 FULL SCREEN with Japanese Subtitle LPCM Stereo New Remaster / Original Movie Mono Soundtrack time approx. 80min. “LET IT BE” DOCUMENTARY NTSC Color 16:9 (4:3) with Japanese Subtitle LPCM Stereo time approx. 22min. “LET IT BE” WIDESCREEN&REMASTER EDITION 01 – 40. Movie Chapter (Same as Fullscreen Edition) NTSC Color 16:9 WIDE SCREEN with Japanese Subtitle LPCM Stereo Remaster / Dolby Digital 5.1 Surround Sound time approx. 80min.
BLU-RAY DISC TWO
“LET IT BE” ORIGINAL STANDARD MOVIE EDITION
01 – 40. Movie Chapter (Same As All Movie Edition) LET IT BE EXTRA ALTERNATE VIDEO 41. Don’t Let Me Down – Movie Remaster 42. Dig A Pony – Movie Remaster 43. Don’t Let Me Down – Imagine Rough Cut 1988 44. Don’t Let Me Down – Imagine 1988 45. Don’t Let Me Down – Anthology Director’s Cut 1993 46. Don’t Let Me Down – Let It Be Naked 1999 47. Get Back – 1969 release remastered 48. Get Back – Anthology 1995 LET IT BE…NAKED 49. Get Back 1999 (Promo Video) 50. Trailer One 51. Trailer Two 52. Trailer Three 53. Long Trailer with captions 54. Long Trailer without captions 55. 30 second spots 56. Two Of Us 1999 (Promo Video) 57. Japan AD 58. Sony TV Special 59. Target AD NTSC Color 16:9 (4:3) with Japanese Subtitle Dolby Digital Stereo (Original Movie Mono Soundtrack) time approx. 144min. GET BACK SESSIONS 1. JANUARY 2ND 1969 (THURSDAY)Setup / Tuning – Dialog / Don’t Let Me Down/ Dialogue / I’ve Got A Feeling / Two Of Us 2. JANUARY 3RD 1969 (FRIDAY)Adios For Strings / Don’t Let Me Down/ All Things Must Pass Rehearsals / Feedback/ All Things Must Pass / Maxwell’s Silver Hamm 3. JANUARY 6, 1969 (MONDAY)Oh! Darling / Dialogue / Don’t Let Me Down Rehearsals/ Dialogue / Don’t Let Me Down / Dialogue – The Fight / Two Of Us 4. JANUARY 7, 1969 (TUESDAY)Get Back / Dialogue / Maxwell’s Silver Hammer/ Across The Universe / Dig A Pony 5. JANUARY 8, 1969 (WEDNESDAY)I Me Mine / Two Of Us / I’ve Got A Feeling/ All Things Must Pass Rehearsals / I Me Mine / Goodbyes 6. JANUARY 9, 1969 (THURSDAY)Two Of Us / Suzy Parker / I’ve Got A Feeling / One After 909/ Get Back / Tennessee / House Of The Rising Sun / Commonwealth/ Goodnight 7. JANUARY 10, 1969 (FRIDAY)Get Back / I’m Talking About You – George Quits / Jamming With Yoko 8. JANUARY 13, 1969 (MONDAY)Dialogue on filming 9. JANUARY 14, 1969 (TUESDAY) Piano Boogie / John and Yoko Interview for the CBC/ Peter Sellers Visits / Mal Tears Down Equipment 10. JANUARY 21, 1969 (TUESDAY) John Films Rock’n’Roll Circus Introduction/ My Baby Left Me / Dig A Pony Playback / Dig A Pony / Dialogue / Don’t Let Me Down 11. JANUARY 22, 1969 (WEDNESDAY)Dig A Pony / Dialogue / Billy Preston Arrives 12. JANUARY 23, 1969 (THURSDAY)Beatles Arrive at Apple / Billy Preston Arrives / Jamming with Yoko/ Billy’s Original / Get Back Rehearsal 13. Get Back Rehearsals I’ll Get You / Get Back / I’ve Got A Feeling / Help! / Please Please Me / Help! 14. Get Back Playbacks 15. JANUARY 24, 1969 (FRIDAY)Dialogue – Jamming / Get Back Playbacks / Dialogue 16. JANUARY 25, 1969 (SATURDAY) Two Of Us Rehearsals / For You Blue Rehearsals / Playbacks / For You Blue / For You Blue Rehearsal / Let It Be Rehearsals / Playback 17. JANUARY 26, 1969 (SUNDAY) Octopus’s Garden / Let It Be Rehearsals / Dig It / Shake Rattle And Roll / Miss Ann / Kansas City / You Really Got A Hold On Me / Jamming/ The Long And Winding Road 18. JANUARY 27, 1969 (MONDAY)Dig It Playback / Dialogue / Let It Be Rehearsals / Jamming / Break for Lunch/ Get Back – single recording / I’ve Got a Feeling 19. Januaray 28, 1969 (TUESDAY)For You Blue Playback / Get Back Playback / Jamming/ I’ve Got a Feeling / Every Day Is Like a Week / I Want You 20. JANUARY 29, 1969 (WEDNESDAY)Dialogue / All Things Must Pass / Besame Mucho 21. JANUARY 30, 1969 (THURSDAY)Discussion Before Rooftop ROOFTOP CONCERT – JANUARY 30, 1969 (THURSDAY)22. Rooftop Entrance / Rehearsal 23. Get Back 24. Don’t Let Me Down 25. I’ve Got A Feeling 26. One After 909 27. Dig A Pony 28. God Save The Queen 29. I’ve Got A Feeling 30. Don’t Let Me Down 31. Get Back 32. JANUARY 31, 1969 (FRIDAY) Two Of Us / The Long And Winding Road / Let It Be 33. Let It Be – with Movie Trailer 1970 NTSC 16:9 (4:3) Dolby Digital Stereo / Mono time approx. 220min. “LET IT BE” MOVIE JAPANESE TV BROADCAST 01. Japanese TV Opening and CM 02.-27. Movie Chapter 28. Intermission 29.-42. Movie Chapter 43. Japanese TV Ending Credit and CM
Movie Chapter (Same as Fullscreen Edition) NTSC Color 16:9 (4:3) inc.Japanese Subtitle Dolby Digital Stereo (Original Movie Mono Soundtrack) time approx. 88min


Here is "Don't Let Me Down" from the Rooftop Concert:






Here is the entire 23 minute rooftop concert to enjoy:




https://vimeo.com/95681569



Here are some outtakes and chatter from the Let It Be movie as a bonus:



November 29, 2015

Beatles Christmas Messages Recordings

As a special treat for Christmas, I've posted the Beatles Christmas Messages recordings. 
Below are details on each of the recordings and their audio to enjoy. These bring back fond memories.



Each year from 1963 through 1969, the Beatles recorded a special Christmas greeting for their fans. The Official Beatles Fan Club in England sent flexi-discs containing the Christmas messages to its members each holiday season.The American fan club, Beatles (U.S.A.) Ltd., was established in 1964, and for their first Christmas, the American fan club sent fans the 1963 Christmas message on a soundcard, which is like a flexi-disc, but is "printed" on the post card that is mailed. No message was sent to the American fans in 1965 because the tape was not received on time.[Read more →] The Beatles Christmas flexis are very rare, and sell, in excellent condition, anywhere from $200 to $500.


These recordings offer a unique time-capsule glimpse into the personalities and evolution of the Beatles from 1963 through 1969. In the early years, like their appearances in A Hard Day’s Night, even though these messages were scripted by “somebody’s bad hand-wroter” (their Press Agent Tony Barrow), the Beatle’s geniune wit and humor shines through, for example, in 1963, when as John mentions taking part in the Royal Variety show, the boys extemporaneously launch into a whistling version of God Save The Queen, or in 1964, when Paul mentions that they don’t really know where they’d be without the fans, John says, off-handedly, “In the Army, perhaps…”


For older Beatles fans who remember hearing these messages over the years, “these little bits of plastic” are a fond holiday tradition, while for younger Beatles fans they offer a whole new insight into a pop music phenomenon which might never be repeated.


We present the Beatles Christmas Records here as a Christmas present to you from the Internet Beatles Album. Happy Crimble!

1963-uk-cover.jpg 


1963
The Beatles Christmas Record
Released December 6, 1963
Recorded October 17, 1963
EMI Abbey Road Studio 2
Engineer: Norman Smith
Recorded after a session for I Want To Hold Your Hand and This Boy.
About 30,000 total copies were manufactured.
This recording was sent to US Fan Club members in 1964.









1964
Another Beatles Christmas Record
Released December 18, 1964
Recorded October 26, 1964
EMI Abbey Road Studio 2
Engineer: Norman Smith
The only Beatles Fan Club Christmas record that played at 45 RPM instead of 33 1/3 RPM.
Recorded on the same day that they recorded Honey Don’t for Beatles For Sale.
US Fan Club members received the 1963 Christmas message this year.








1965
The Beatles Third Christmas Record
Released December 17, 1965
Recorded November 8, 1965
EMI Abbey Road Studio 2
Engineer: Norman Smith
Recorded during the Rubber Soul sessions, on the same day they recorded Think For Yourself. Cover photo taken on November 1 during the taping of Granada-TV’s ‘The Music of Lennon and McCartney’.









1966
Pantomime (Everywhere It’s Christmas)
Released December 16, 1966
Recorded November 25, 1966
Recorded in the basement studio of Dick James Music in London
Mixed at Abbey Road, December 2, 1966. Produced by George Martin.
Cover designed by Paul.




Some of the historical info on this page is from the books The Beatles: A Day In The Life by Tom Schultheiss, The Beatles Day By Day by Mark Lewisohn and The Price Guide for the Beatles American Records by Perry Cox and Frank Daniels As the 60’s evolve, so do the Beatles, and so do their Christmas records.


The previous year, the Christmas message changed from scripted messages talking directly to the fans, to sketch comedy, mostly Paul’s idea, but enthusiastically joined in by the other three. 1967 brings a similar production, but as the members of the group start desiring to go their separate ways, this is also reflected in the Christmas records, as the final two years bring messages recorded in bits and pieces recorded separately by each Beatle and assembled together later.







1967
Christmas Time (Is Here Again)
Released December 15, 1967
Recorded November 28, 1967
EMI Abbey Road Studio 2
Produced by George Martin
Special guest: Victor Spinetti

The script was written earlier in the day by the band. Last Christmas record the Beatles recorded together as a group. Cover designed on November 29 by John and Ringo.

The song Christmas Time (Is Here Again) was later released on the Real Love single in 1995.







1968
Happy Christmas
Released December 20, 1968
Recorded in November, 1968 at John’s home in London, Paul’s home in London, in the back of Ringo’s van in Surrey, with George in America and at George’s house in Esher during rehearsals for the White Album.
Special guest: Tiny Tim.

Created by Radio 1 disc jockey Kenny Everett who edited together separately-recorded messages from John, Paul, George and Ringo, and inter-cut random fragments from the White Album.









1969
Happy Christmas 1969
Released December 19, 1969
Recorded in fall of 1969 at John and Yoko’s home in Ascot, Ringo’s home in Weybridge, Paul’s home in London, and the London offices of Apple.
Edited by Maurice Cole (Kenny Everett’s original name)
Cover designed by Ringo








Because the Beatles officially broke up in 1970, no Christmas message was prepared for that holiday season.


In early 1971, fan club members were sent an album on the Apple label containing all seven of the Christmas messages.
Pictured is the American version of the LP. The British LP entitled From Then To You included a reproduction of the cover of the 1963 Christmas record.


Along with Let It Be and Introducing The Beatles, this is one of the notoriously most heavily counterfeited of Beatles albums. Counterfeits can be identified by blurry cover photos and an indentation ring much larger than 1 1/2″.

Some of the historical info on this page is from the books The Beatles: A Day In The Life by Tom Schultheiss, The Beatles Day By Day by Mark Lewisohn and The Price Guide for the Beatles American Records by Perry Cox and Frank Daniels.


You can listen to them all here:
http://www.beatlesagain.com/beatles-christmas-records.html


Below is my previous post of scans of the covers:
http://jfnmusicmemories.blogspot.com/2009/07/christmas-messages-covers.html

You can get the recordings here:
http://teenagedogsintrouble.blogspot.com/2009/12/very-merry-beatles-christmas.html




Source :
http://www.ringofstars.ru/across/?p=2767

August 18, 2015

Beatles' first recording contract to be auctioned next month

NEW YORK—The Beatles' first recording contract was signed in Hamburg, Germany, where the band honed its craft playing gigs in the city's boisterous nightclub district.

The 1961 recording session produced the single "My Bonnie." It was released on the Polydor label in Germany only and never hit the top charts. But the tune led directly to the Beatles' discovery back home, a contract with EMI the following year and their first hit, "Love Me Do."



Heritage Auctions will auction the six-page contract in New York on September 19 for an estimated $150,000. It's the centerpiece of a Beatles collection spanning the band's entire career. It's being sold by the estate of Uwe Blaschke, a German graphic designer and noted Beatles historian who died in 2010.
This undated photo provided by Heritage Auctions from an upcoming Beatles collection sale shows the Beatles’ first recording contract, which was signed in Hamburg, Germany, where the band honed its craft performing in the city’s nightclub district.
This undated photo provided by Heritage Auctions from an upcoming Beatles collection sale shows the Beatles’ first recording contract, which was signed in Hamburg, Germany, where the band honed its craft performing in the city’s nightclub district.


"Not many people know that the Beatles started their careers in Germany," said Beatles expert Ulf Kruger. "The Beatles had their longest stint in a club in Hamburg at the Top Ten Club. They played there three months in a row, every night. The style they invented in Liverpool, they cultivated in Hamburg."



"Without this contract all of the pieces wouldn't have fallen into place," added Dean Harmeyer, Heritage's consignment director for music memorabilia, who said the band was "a ramshackle, amateur band" when they first went to Germany.

"They were probably a C class in the pantheon of Liverpool bands," he said.

But their stints in Hamburg between 1960 and 1962 changed that.

"It really is where they honed their musical skills to become the Beatles," he said. "They set about learning new material, they worked on their instrumental abilities."

But it was "crazy luck" that got them to Hamburg, he said.

This undated photo provided by Heritage Auctions from an upcoming Beatles collection sale shows a set of four psychedelic posters by Richard Avedon commissioned by the German magazine Stern in 1966, which will be auctioned in New York on Sept. 19.
This undated photo provided by Heritage Auctions from an upcoming Beatles collection sale shows a set of four psychedelic posters by Richard Avedon commissioned by the German magazine Stern in 1966, which will be auctioned in New York on Sept. 19.

Their booking agent fortuitously ran into a club owner looking for rock `n' roll bands to perform in his Hamburg nightclub. The Beatles were not the agent's first choice and wound up going only after other bands declined.

When the Beatles — John Lennon, Paul McCartney, George Harrison and original drummer Pete Best — were later hired to be the backup band for British singer/guitarist Tony Sheridan at the Top Ten Club, German record producer Bert Kaempfert signed them and Sheridan to record a rock `n' roll version of "My Bonnie Lies Over the Ocean."

"My Bonnie" netted the Beatles about $80. It was credited to "Tony Sheridan and the Beat Boys" because Kaempfert felt the name "Beatles" would not cut it with Germans.

"The Beatles didn't care what they were signing as long as it was for a recording contract," said Kruger.

The only copies that made it out of Germany initially were the ones sent to the Beatles back home in Liverpool, England. After a local club disc jockey got his hands on one and started playing it, music fans began asking for it. That got the attention of Liverpool record shop owner Brian Epstein, who decided to hear them perform at the Cavern Club.

"He immediately sees their potential. He tells them 'I want to manage you and I'll make you successful' — and he did, going on to secure them a record contract with EMI," Harmeyer said.

"Every great collector wants their collection to be illuminative of the subject, and Blaschke's collection does this so well largely because it also covers the German period," he said. "It covers everything else. He's got stuff from `Sgt. Pepper' and `Abbey Road' and the later things ... but he's got this great trove of things that are specific to Hamburg. That's really where the story started ... it's where they really become the Beatles."

Other highlights and their pre-sale estimates include:

— A 1962 autographed copy of "Love Me Do," the first single recorded with Ringo. $10,000.

— A 1960 postcard Ringo sent from Hamburg to his grandmother. $4,000.

— A Swiss restaurant menu card signed by the Beatles while they were filming "HELP" in 1965. $12,000.

— A set of four psychedelic posters by Richard Avedon commissioned by the German magazine Stern in 1966. Estimate: $5,000.

The auction comes on the 55th anniversary of the Beatles' first trip to Hamburg and 50 years after the Fab Four's record-breaking performance at Shea Stadium in Queens, New York.

Source: http://www.voanews.com/content/beatles-first-recording-contract-to-be-auctioned-next-month/2922480.html

May 17, 2015

The Beatles Live Project Film



Los Angeles, July 16, 2014 – Apple Corps Ltd., White Horse Pictures and Imagine Entertainment have announced they will produce a new authorized documentary for Apple, based on the first part of The Beatles’ career -- the touring years. The film will be directed by Academy Award-winning director Ron Howard and will be produced with the full cooperation of Paul McCartney, Ringo Starr, Yoko Ono Lennon and Olivia Harrison. White Horse’s Grammy Award-winning Nigel Sinclair, Scott Pascucci and Academy Award winner and multiple nominee Brian Grazer of Imagine Entertainment will produce with Howard. Imagine’s Michael Rosenberg and White Horse’s Guy East will serve as executive producers.

Howard said, "I am excited and honored to be working with Apple and the White Horse team on this astounding story of these four young men who stormed the world in 1964. Their impact on popular culture and the human experience cannot be exaggerated."

This film will focus on The Beatles’ journey from the early days of the Cavern Club in Liverpool and engagements in Hamburg to their last public concert in Candlestick Park, San Francisco, in 1966.

The Beatles began touring Europe in late 1963, after an extraordinary arrival on the British scene in 1961 and ‘62. However, it was their much-heralded Ed Sullivan appearance on February 9, 1964 that caused The Beatles’ popularity to explode. By June, the band had commenced their first world tour, and continued on a relentless schedule for two subsequent years. By the time the band stopped touring in August of 1966, they had performed 166 concerts in 15 countries and 90 cities around the world. The cultural phenomenon their touring helped create, known as "Beatlemania," was something the world had never seen before and laid the foundation for the globalization of culture.

Beatlemania was not just a phenomenon. It was the catalyst for a cultural shift that would alter the way people around the world viewed and consumed popular culture. This film will seek to explain what it was about that particular moment in time that allowed this cultural pivot point to occur. It will examine the social and political context of the time, and reveal the unique conditions that caused technology and mass communication to collide. The film will also explore the incomparable electricity between performer and audience that turned the music into a movement – a common experience into something sublime.

Founded in London in 1968, Apple Corps Ltd. represents The Beatles. Under the direction of Paul McCartney, Ringo Starr, Yoko Ono Lennon and Olivia Harrison, the company administers The Beatles’ business interests, and it also develops new creative projects, making a significant contribution to the staging and safekeeping of The Beatles’ musical and cultural legacies. Jeff Jones and Jonathan Clyde will act as executive producers for Apple Corps.

Over the course of a near 30-year partnership, Howard and Grazer have produced a long list of successful and critically acclaimed films, including Apollo 13, Frost/Nixon, A Beautiful Mind – for which Howard won an Academy Award for Best Director and Grazer and Howard won Best Picture – and, most recently, Rush, and music-driven films like 8 Mile. This will be the second documentary for Howard -- the first being 2013's Made in America.

Sinclair’s long association with documentaries has resulted in a string of award-winning films, including Martin Scorsese’s George Harrison: Living in the Material World, which won two Emmy Awards and was nominated for a BAFTA, and No Direction Home: Bob Dylan, for which Sinclair won a Grammy Award, Amazing Journey: The Story of The Who, The Last Play At Shea, 1, and both the Academy Award-winning Undefeated and the Grammy Award-winning Foo Fighters: Back and Forth.

Pascucci, Managing Director of Concord Music Group and former head of Warner’s Rhino Entertainment, was an executive producer on George Harrison, and has recently been associated with Eric Clapton’s Crossroads Guitar Festival: 2013 and Jimi Hendrix: Hear My Train A Comin’.

This project was originally brought to Apple Corps by One Voice One World, which has conducted extensive research around the globe, including inviting Beatles fans to send in clips of home movies and photos that they acquired during this extraordinary period. OVOW’s Matthew White, Stuart Samuels, and Bruce Higham will form part of the production team as co-producers.

Acclaimed and award winning editor Paul Crowder will serve as editor. Crowder directed and edited the Grammy-nominated Amazing Journey: The Story of The Who, The Last Play at Shea and the Formula One documentary, 1. Crowder’s long-time collaborator, Mark Monroe, will serve as writer. In addition to the aforementioned films, Monroe’s credits include Sound City, Chasing Ice, and the Academy Award-winning, The Cove. Marc Ambrose (Bhutto) will serve as supervising producer.

Nicholas Ferrall will be the executive in charge of production for White Horse Pictures, assisted by executives Jeanne Elfant Festa and Cassidy Hartmann. The Beatles documentary is one of the first projects under Nigel Sinclair’s new White Horse Pictures banner, which he founded in 2014 with long-time business partner Guy East.

Sinclair said, "The way The Beatles burst onto the scene in Britain was an overwhelming social, cultural and musical phenomenon, but was even then eclipsed by that extraordinary explosion on the American scene and then the world. I was lucky enough to see The Beatles perform in Glasgow in 1964, shortly after their Ed Sullivan appearance. It is an honor to work on this project for The Beatles, and to be collaborating again with the extraordinary Ron Howard and Brian Grazer, and my good friend Scott Pascucci."

Source: http://www.thebeatlesliveproject.com/#project_synopsis



January 03, 2015

Beatles 1964 - Live In Paris Shows


This has always been a favorite concert of mine due to the amount of energy in their performance. The evening concert in Paris took place on the same day as the previous post: January 16 1964. The Beatles would play several concerts as the touring years continued. The venue in question for this particular performance is at the Olympia Theatre, Paris, France.

This performance included an audience of the so-called "upper class" (in those days) and so the reception for the band is not as enthusiastic as would appear in the afternoon show in front of students. The show was recorded and edited for radio broadcast three days later. The radio show was entitled "Musicorama" and the radio personnel were from Europe 1.
The tunes that we hear on the bootlegs start with the first version of the single "From Me To You" followed by a rendition of the current (for then) B-side of the latest single "This Boy". After the B-side is performed, the A-side follows in the form of "I Want To Hold Your Hand"; John singing the B-side and shared vocals between John and Paul for the A-side. The previous single is performed in the form of "She Loves You".  The Beatles then play the cover tune from the first LP "Twist And Shout" before reprising "From Me To You" once again.

An upgraded tape of the show includes the Paul vocal for the Little Richard cover "Long Tall Sally" and finally the show ends with an instrumental version of "From Me To You" (odd that this was played three times during a concert). There you have it.

You can find this show on bootleg LP with the title "A Paris". It's quite a nice package with a gatefold cover and a mini booklet inside. There is also a CD version of the show entitled "Live In Paris 1964 And In San Francisco 1966". Both of these boots include the show up to the second reprise of "From Me to You".






Tracklist
Live At Palais Des Sports, Paris, 1.8.1965 (Afternoon Show)
1     Twist And Shout
2     She's A Woman
3     Can't Buy Me Love
4     I'm A Loser
5     I Wanna Be Your Man
6     A Hard Day's Night
7     Baby's In Black
8     Rock And Roll Music
9     Everybody's Trying To Be My Baby
10     I Feel Fine
11     Ticket To Ride
12     Long Tall Sally
   
Live At Palais Des Sports, Paris, 1.8.1965 (Evening Show)
13     Twist And Shout
14     She's A Woman
15     I'm A Loser
16     Can't Buy Me Love
17     Baby's In Black
18     I Wanna Be Your Man
19     A Hard Day's Night
20     Everybody's Trying To Be My Baby
21     Rock And Roll Music
22     I Feel Fine
23     Ticket To Ride
24     Long Tall Sally



You can find more information here;
http://octaner.blogspot.com/2014/11/live-in-paris-1964-in-san-francisco-1966.html
and
http://vivalesbootlegs.blogspot.com/2010/01/beatles-live-in-paris-1965-palais-des.html

You can listen to the whole 57 minute concert here:
http://www.mixcloud.com/sinlopez/the-beatles-1965-06-20-palais-des-sports-paris-france-two-shows/