The latest remastered reprint series "A Doll's House-White Album Unreleased Tracks", an original edited compilation that collects unreleased sound sources from the famous "White Album" released by The Beatles in 1968. New from the Retrospective Collection! The two-disc original album, which was officially announced as "The Beatles" instead of the album title and was known as the "White Album" from the jacket, was originally the working title of "A Doll's House". Although it was in progress, it was changed to avoid duplication with titles of the same name by other bands at the same time. Bootlegs with this original title "A Doll's House" have been released since the analog era, but in terms of content, most of them have been formalized, including Escher demos, and are no longer unreleased sound source collections. I was. This time, instead of reprinting the original content, we carefully selected the sound sources that were not included in the Super Deluxe Edition officially released on the 50th anniversary, and edited the latest update 2023 as a new unreleased sound source collection. Reborn as a collection.
RETROSPECTIVE COLLECTION // REVISED EDITION
In this latest remastered reprint series, all the sound source sources are traced back to the original sound based on the original board released in the 70's and 80's, and reproduced with the highest sound quality master sound source at the moment. As a result, the sound quality has been improved, and the recorded content has been recorded longer before and after the song, and the monaural sound source has been converted to stereo. increase. This is a reprinted collector's item series revived with the latest update, which is a new production with different quality and editing contents from the various titles with the same name so far.
THE BEATLES/ A DOLL'S HOUSE-- THE WHITE ALBUM UNRELEASED TRACKS
(STEREO REMASTER EDITION)-24bit HQ REMASTERED AUDIOPHILE CD
[1CD]
1. BACK IN THE U.S.S.R. (Studio Chat / Multitrack Remix)
2. DEAR PRUDENCE (Take 1)
3. OB-LA-DI, OB-LA-DA (Take 5)
4. WHILE MY GUITAR GENTLY WEEPS (Take 40)
5. WHILE MY GUITAR GENTLY WEEPS (Multitrack Remix)
6. F*CK A DUCKIE (Studio Jam)
7.BRIAN EPSTEIN'S BLUES
8. HEY JUDE (Take 9)
9. HEY JUDE (Take 25)
10. STUDIO JAM
11. HAPPINESS IS A WARM GUN (Take 65 Overdub)
12. DOWN IN HAVANA
13. THE WAY YOU LOOK TONIGHT
14. WHAT'S THE NEW MARY JANE (RS5)
15.BIRTHDAY (Multitrack Remix)
16. EVERYBODY'S GOT SOMETHING TO HIDE EXCEPT ME AND MY MONKEY (Take 6 Unedited)
17. HELTER SKELTER (Studio Chat)
18.HELTER SKELTER (Multitrack Remix)
19.REVOLUTION 1 (Take 20)
20. SOUR MILK SEA (Esher Demo Different Mix)
21.LADY MADONNA (Take 4)
22. ACROSS THE UNIVERSE (Take 7)
23. GOOD NIGHT (Piano & Vocal Tracks)
All Tracks are New Stereo Remix and Remasters 2023
24bit HQ Remastered Audiophile CD
24bit HQ REMASTERED AUDIOPHILE CD
In this CD mastering, it is recorded with "HQ remaster" by 24bit high spec editing equivalent to high resolution sound source. The difference is obvious when you compare it with the former record/CD with the same title! It is recorded with the highest sound quality quality at the moment.
The "White Album" Super Deluxe Edition, which was officially released in 2018 to celebrate its 50th anniversary, recorded many session sound sources that first appeared, including the acoustic Escher demo, which had been a standard boot until then, but not recorded. There is also an unreleased rare sound source that became. Here, the unrecorded take differences and mix differences are recorded together. It is the latest edited remastered edition for 2023, including multi-track remix sound sources and real stereo conversions of sound sources that have only been mono-mixed until now.
These are available on eBay and other sources.
At the time of release back in 2004, these were unreleased. Other sources from Japan have released 3 dual disk sets featuring more outtakes. Since then, a number of these tracks have been officially released by Apple under the Anthology 3 and White Album 50th Anniversary collections.
Below are the above recordings that have already been released under both these collections:
Beatles Anthology 3-Track list
CD Disc 1
1-A Beginning-An orchestral piece written by George Martin originally for inclusion on the White Album as an intro piece to Ringo’s “Don’t Pass Me By”. Later used in the film “Yellow Submarine”.
2-Happiness Is A Warm Gun-An acoustic demo recorded by John during the famous Esher sessions. Includes the ‘I need a fix’ and ‘Mother Superior jumped the gun’ sections but not the ‘Happiness is a warm gun’ section.
3-Helter Skelter-Distinctly different from the master, this version of “Helter Skelter” (take 2) is a slow, driving tune shortened to 5 minutes from over 12 minutes in its original form.
4-Mean Mr. Mustard-Demo recorded at Esher featuring a bridge not used in the final version.
5-Polythene Pam-Demo recorded by John at Esher, with vocal gibberish in place of the unfinished lyric.
6-Glass Onion-Demo recorded at Esher, again, with vocal gibberish in place of unfinished lyric.
7-Junk-Demo recorded at Esher but never recorded by the Beatles – instead apprearing on Paul’s solo debut McCartney.
8-Piggies-Demo recorded at Esher, featuring a double-tracked vocal by George and different lyrics than the released version
9-Honey Pie-The final Esher demo presented on Anthology, with lyrics slightly different than the finished version.
10-Don’t Pass Me By-Take 5 featuring vocal and basic instrumental track, without the fiddle.
11-Ob-La-Di, Ob-La-Da-Fortified with session players (on 3 saxophones and conga drums) and scrapped in favor of a remakerecorded the following week.
12-Good Night-A recorded rehearsal, remixed with the ending of the master (take 34), with some studio talk discussing the direction of the song.
13-Cry Baby Cry-Take 1 featuring a basic instrumental track and vocals.
14-Blackbird-Featuring Paul only on an acoustic guitar (and no bird sound effects), this is take 4, with the master being take 32.
15-Sexy Sadie-The basic instrumental track – take 6 – fading out near the end becase it was lacking a final coda.
16-While My Guitar Gently Weeps-Demo recorded by George on his acoustic guitar and Paul on organ, featuring an additional verse not used in the master.
17-Hey Jude-Preceeded by some studio chat, this is a simple studio rehearsal which is somewhat stripped down.
18-Not Guilty-Although worked on for 3 days, “Not Guilty” was not included on the White Album. Presented here is take 102.
19-Mother Nature’s Son-Take 2 (the master being take 26) featuring some studio chat and a basic track.
20-Glass Onion-Mono mix featuring some additional sound effects placed by John which were ultimately left off the master, including an closing loop of BBC soccer commentator Kenneth Wolstenholme elling, “It’s a goal!”, which was dropped in favor of an orchestral score written by George Martin.
29-Rocky Raccoon-Take 8 (take 10 being the master) with some misspoken lyrics by Paul.
30-What’s The New Mary Jane-Originally conceived by John for use on the White Album, then rejected, then considered as a B-side for the Plastic Ono Band to “You Know My Name (Look Up The Number)”, “What’s The New Mary Jane” was never issued except on bootleg discs. This is take 4, featuring John and George as well as Yoko and Mal Evans on sound effects.
31-Step Inside Love/Los Paranoias-Recorded during a jam during sesions for “I Will”, “Step Inside Love” was written for Cilia Black for her BBC TV program. The jam extended into “Los Paranoias” at the suggestion of John.
32-I’m So Tired-A mix of takes 3, 6, and 9 (the master being take 14), recorded during the end of the White Album sessions.
33-I Will-Take 1 (the master being take 67 featuring the same elements as the released version.
34-Why Don’t We Do It In The Road? -Take 4, performed solo by Paul on acoustic guitar. The master was take 5 with several overdubs and all instruments except drums (played by Ringo) played by Paul.
35-Julia-The final track recorded for the White Album, this is take 2 featuring John searching for the right structure for the song. The master was take 3.
CD Disc 2
1-I’ve Got A Feeling-Featuring Billy Preston on keyboard, this version of “I’ve Got A Feeling” was recorded in the basement of the Beatles office building on Savile Row in London. Also filmed for use in the ‘Let It Be’ film.
2-She Came In Through The Bathroom Window-Another song recorded during the Savile Row sessions, but not used on the Let It Be album, instead, later recorded for Abbey Road.
3-Dig A Pony-A Savile Row take with the intor “All I want is…”, which was later cut for the final version.
4-Two Of Us-Another Savile Row take recorded with paul and John on vocals.
5-For You Blue-According to the Anthology linear notes, all takes of “For You Blue” were recorded on Jan. 25, 1969, but the master featured a rerecorded vocal by George almost a year later on Jan. 8, 1970.
6-Teddy Boy-A rehearsal for a song never issued by the Beatles, instead, used on Paul’s debut McCartney. Features some intersting vocals by John.
7-Medley: Rip It Up/Shake, Rattle, And Roll/Blue Suede Shoes-The only oldies medley of dozens rehearsed by the Beatles during Let It Be rehearsals released on Anthology, although many were later found on bootlegs.
8-The Long And Winding Road-The basic track to which Phil Spector added orchestration for the Let it Be album, to Paul’s dismay. Noted as the version that ‘nature intended’.
9-Oh! Darling-Recorded during the Savile Row sesions but unissued until Abbey Road, the beginning of this rehearsal of “Oh! Darling” is faded out due to misoperation of the recording machine.
10-All Things Must Pass-Frequently performed during Let It Be rehearsals, “All Things Must Pass” was not used on any Beatles album, rather was recorded by George for his first solo album of the same name.
11-Mailman, Bring Me No More Blues-An obscure Buddy Holly cover which was the B-side of “Words Of Love” which was recorded by the Beatles for Beatles For Sale in 1964. One of many Holly tunes recorded during these sessions.
12-Get Back-This version was the final number performed during the band’s legendary rooftop concert on January 30, 1969. Notably, it is the final public performance by the Beatles.
13-Old Brown Shoe-An elaborate demo recorded by George using 2 overdubs of guitar and vocals.
14-Octopus’s Garden-Take 2 with some studio chat from take 8 (the master was take 32). Written shortly after completion ofthe White Album sessions.
15-Maxwell’s Silver Hammer-Take 5, without the anvil sound effect and some additional vocals (the master was take 21 with some vocal overdubs.
16-Something-A solo demo recorded by George, just before Joe Cocker’s version (which preceded the Beatles version).
17-Come Together-Take 1 (the master being take 9 with further overdubs) featuring John on vocal, clapping his hands and playing tamborine.
18-Come And Get It-Recorded by Paul in less than an hour as a demo for Apple recording artists Badfinger for use as their first single. The song was a huge hit.
19-Ain’t She Sweet-Performed during recordings for “Sun King”, the jam that included this version of “Ain’t She Sweet” also featured two other Gene Vincent songs. Also recorded during the band’s Hamburg sessions with Tony Sheridan.
20-Because-Features the nine vocals (three each by Paul, John, and George) recorded in three separate takes, but without the instrumentation. Previously released on several bootlegs.
21-Let It Be-This is historic as it features part of Paul’s original presentation of the song to the rest of the band. Also features some remixed orchestration and studio chat by John.
22-I Me Mine-From the band’s final session, for which John was absent, which turned out “I Me Mine” as it was used on the Let It Be album.
23-The End-A remix featuring additional guitar solos by paul, George, and John, and a more prominent orchestral piece.
Anthology 3 was the third installment in The Beatles’ Anthology project, which initially ran from 1995 to 1996 before being expanded and reissued in 2025.
The double-CD collection contains 50 demos and studio outtakes recorded between May 1968 and January 1970. The last track, ‘The End’, contains the final chord from ‘A Day In The Life’, recorded on 22 February 1967.
White Album 50th Anniversary: 2018
- Back in the U.S.S.R.
- Dear Prudence
- Glass Onion
- Ob-La-Di, Ob-La-Da
- Wild Honey Pie
- The Continuing Story of Bungalow Bill
- While My Guitar Gently Weeps
- Happiness is a Warm Gun
- Martha My Dear
- I’m so tired
- Blackbird
- Piggies
- Rocky Raccoon
- Don’t Pass Me By
- Why don’t we do it in the road?
- I Will
- Julia
CD 2 The BEATLES ( 'The ˜White Album’) 2018 Stereo Mix
- Birthday
- Yer Blues
- Mother Nature’s Son
- Everybody’s Got Something to Hide Except Me and My Monkey
- Sexy Sadie
- Helter Skelter
- Long, Long, Long
- Revolution I
- Honey Pie
- Savoy Truffle
- Cry Baby Cry
- Revolution 9
- Good Night
CD 3: Esher Demos
- Back in the U.S.S.R.
- Dear Prudence
- Glass Onion
- Ob-La-Di, Ob-La-Da
- The Continuing Story of Bungalow Bill
- While My Guitar Gently Weeps
- Happiness is a Warm Gun
- I’m so tired
- Blackbird
- Piggies
- Rocky Raccoon
- Julia
- Yer Blues
- Mother Nature’s Son
- Everybody’s Got Something to Hide Except Me and My Monkey
- Sexy Sadie
- Revolution
- Honey Pie
- Cry Baby Cry
- Sour Milk Sea
- Junk
- Child of Nature
- Circles
- Mean Mr. Mustard
- Polythene Pam
- Not Guilty
- What’s the New Mary Jane
CD 4: Sessions
- Revolution I (Take 18)
- A Beginning (Take 4) / Don’t Pass Me By (Take 7)
- Blackbird (Take 28)
- Everybody’s Got Something to Hide Except Me and My Monkey (Unnumbered rehearsal)
- Good Night (Unnumbered rehearsal)
- Good Night (Take 10 with a guitar part from Take 5)
- Good Night (Take 22)
- Ob-La-Di, Ob-La-Da (Take 3)
- Revolution (Unnumbered rehearsal)
- Revolution (Take 14 – Instrumental backing track)
- Cry Baby Cry (Unnumbered rehearsal)
- Helter Skelter (First version – Take 2)
CD 5: Sessions
- Sexy Sadie (Take 3)
- While My Guitar Gently Weeps (Acoustic version – Take 2)
- Hey Jude (Take 1)
- St. Louis Blues (Studio jam)
- Not Guilty (Take 102)
- Mother Nature’s Son (Take 15)
- Yer Blues (Take 5 with guide vocal)
- What’s the New Mary Jane (Take 1)
- Rocky Raccoon (Take 8)
- Back in the U.S.S.R. (Take 5 – Instrumental backing track)
- Dear Prudence (Vocal, guitar & drums)
- Let It Be (Unnumbered rehearsal)
- While My Guitar Gently Weeps (Third version – Take 27)
- (You’re so Square) Baby, I Don’t Care (Studio jam)
- Helter Skelter (Second version – Take 17)
- Glass Onion (Take 10)
CD 6: Sessions
- I Will (Take 13)
- Blue Moon (Studio jam)
- I Will (Take 29)
- Step Inside Love (Studio jam)
- Los Paranoias (Studio jam)
- Can You Take Me Back? (Take 1)
- Birthday (Take 2 – Instrumental backing track)
- Piggies (Take 12 – Instrumental backing track)
- Happiness is a Warm Gun (Take 19)
- Honey Pie (Instrumental backing track)
- Savoy Truffle (Instrumental backing track)
- Martha My Dear (Without brass and strings)
- Long, Long, Long (Take 44)
- I’m so tired (Take 7)
- I’m so tired (Take 14)
- The Continuing Story of Bungalow Bill (Take 2)
- Why don’t we do it in the road? (Take 5)
- Julia (Two rehearsals)
- The Inner Light (Take 6 – Instrumental backing track)
- Lady Madonna (Take 2 – Piano and drums)
- Lady Madonna (Backing vocals from take 3)
- Across the Universe (Take 6)